Ideas make you better
Ideas make you better
Richard Niles has produced, arranged and composed music for some of the world’s most acclaimed artists including Paul McCartney, Ray Charles, Cher, James Brown, Kylie Minogue, Tina Turner, Mariah Carey, Joe Cocker, Lulu, The Troggs, Deniece Williams, Michael McDonald, Dusty Springfield, Pet Shop Boys, Cat Stevens, Grace Jones, Tears For Fears, Swing Out Sister, Boyzone, Westlife, Michael Ball and Take That.
Richard Niles was born (1951) into a creative Hollywood family. His father Tony Romano was a singer, songwriter, arranger and guitarist who worked with Cole Porter, Frank Sinatra, Bob Hope, Bing Crosby, and Tony Bennett. “tonyromano.info” His mother Pat Silver-Lasky is an actress, author, teacher and screenwriter for film and television. (Her book Screenwriting for the 21st Century is considered a definitive text.) http://www.patsilver-lasky.com/ His stepfather Jesse Lasky Jr. was an author, poet, playwright and screenwriter of over 60 films including The Ten Commandments and Samson and Delilah. This background gave Niles invaluable training in music and language.
The picture shows (l-r) Mike Stern, Jay Azzolina, Mitch Coodley and Pat Metheny performing Niles’ EMPATHY QUARTET for four guitars at the Berklee graduation concert 1975. The piece was commissioned by Metheny, and the word “empathy” is an anagram of ‘Pat Metheny’ (Almost! The letter ‘N’ is missing, but there is an ‘N’ in the name ‘Niles’.)
In 1980 Niles produced and co-wrote “Space Invaders” for Arlene Phillips’ Hot Gossip which became a cult hit among players of the early video game of the same name, and lovers of the rather naughty dance group.
Niles co-wrote “Sunset on Sunset” with producer Dave Courtney recorded by Tina Turner for her Love Explosion album (1978).
Niles had worked with songwriter/producer Steve Coe previously for a project called Monsoon, a combination of Indian music with pop. Now Coe had a new project, EXILED, and he asked Niles to arrange the song “Miles Away” sung by one of Niles’ favorite pop singers, Colin Blunstone (from the Zombies). Niles arranged the beautiful song for the multi-tracked guitars of Laurence Juber, later to join Paul McCartney’s Wings.
Niles also produced Jim Mullen‘s solo album “Thumbs Up” and would go on to produce many more albums for the Scottish guitar genius including “Burns” and “Animation”.
Niles began his association with producer Trevor Horn arranging the song “Date Stamp” for the ABC album “Lexicon of Love”. Niles then arranged Why Does it Have To Be This Way?” for Horn’s production of Anne Pigalle. Horn then asked Niles to arrange the Horn/Lipson production “Slave To The Rhythm” for Grace Jones.
For this groundbreaking album, Niles assembled an 85-piece orchestra and a full jazz big band, dubbed “The Strictly Unreasonable Big Beat Colossus”. This later became Niles’ own large jazz ensemble, a monster of a band named Bandzilla.
Niles was asked by SOS to write and perform a rap for an extended mix of “Twilight World”. Niles arranged albums for Roger Daltrey (“Can’t Wait To See The Movie”) and Sheena Easton (“Madness Money and Music”).
In 1988 Niles arranged the hit single “Spy In The House of Love” for the unusually hip band, Was Not Was. The ‘selfie’ below shows Don Was and Niles after an interview.


Niles then produced and arranged a number of tracks for an as yet unreleased McCartney album “Cold Cuts”. One song, “Blue Sway” was released on “McCartney II” in 2011.
In 1990 Niles released the band’s first album Blue Movies playing Niles compositions and new versions of “Breakout” and “Slave To The Rhythm”. Singers Clive Griffin and Tessa Niles were featured on the album along with the cream of London’s young session musicians such as Guy Barker and Peter John Vetesse. The expensive band performed two sellout gigs at London’s Jazz Café with guest singers Pat Kane and Richard Darbyshire (from the band Living In A Box). Niles conducted with a selection of root vegetables, especially leeks. Bandzilla would rise again in 2016! (see below)
Niles went on to produce a further two albums Silje (1991) [featuring a “Where You Are”, duet with Morten Harkett (of AHA) and Cow On the Highway (1992). All three albums were released by Lifetime Records co-owned by Niles and partner Graeme Perkins.
The recording was used as the overture to their world tour featuring 20 dancers staged by David Alden. Instead of using these phenomenal dancers, PSB staged the “Overture” with a single spotlight shining on a red couch. As Neil Tennant explained to a confused Niles, “When the piece begins, the noisy audience quiets down when the see the spotlight because they are expecting something to happen. By the end of the piece, something HAS happened: they’ve listened to your fantastic Overture!” 

Niles performed the song with PSB at the Brit Awards conducting 300 Welsh miners showing off their shiny helmets. He also performed it at the 1993 Equality Show at the London Palladium conducting the London Gay Men’s Choir. Oddly enough, no helmets were in evidence at this performance.
In 1994 he arranged Wet Wet Wet’s album Hold Back The River. 

Niles later conducted concerts for Charles accompanied by Bandzilla in Paris (The Louvre), Holland, London (Earls Court) and Glasgow (Clyde Auditorium).


In 1999 Niles produced tracks for Gary Husband‘s album From the Heart.That year he also arranged the hit singles “I Love The Way You Love Me”, “You Needed Me” and “When The Going Gets Tough” for Boyzone. Niles later arranged “Bright Eyes” for singer Stephen Gately and performed as his guitarist and musical director on the Chris Evans TV show TFI Friday. 


In 2001 Niles re-mastered and released an album close to his heart, Never Before, Never Again, available from Just A Memory records. This album had been recorded in 1954 by Niles’s father Tony Romano with the great jazz violinist Joe Venuti. He later edited and released a book of transcriptions of Venuti’s solos available from Mel Bay, “Never Before, Never Again”. 


For Westlife‘s 2006 Tour Niles wrote a big band version of their hit single “Uptown Girl” – a record he had arranged for their Children in Need release.
In 2007 he arranged and conducted for the superb Scottish pianist & composer David Newton‘s album Portrait of a Lady. This unique album may best be described as “ravishingly gorgeous” and also features Jim Mullen.
The Richard Niles Quintet featured drummer Gary Husband, bassist Janek Gwizdala, British sax star Snake Davis and Niles on guitar. Guest soloists on this unique album include Billy Cobham, Bob James, John Patitucci, Bob Mintzer and Gregoire Maret. The album was released 2009.
with Bob James
with Billy Cobham
Niles produced and co-wrote the album True To You (available through CD Baby, and the artist’s website www.youneeversal.com. They later toured in Britain and performed in Los Angeles. The single “Home To You” was released to US radio September 2008 and reached the Top 20 of the Indie charts. Niles & Younee won the 2009 Music Aid Award for Best Songwriter.
Niles arranged all the music, co-wrote songs with Buckley and formed a 7-piece band to accompany her.

His book “Polymetrics” with Gary O’Toole is published by Jazzwise in 2013.



Just been playing my old cassettes (yes and no yuks please!) on a late serial number Nakamichi Dragon I am lucky enough to have acquired years ago.
BBC radio jazz programs in the 1990s include a track by “Melanie O’Reilly and the Richard Niles Dectet ” viz “What’s New”.
Love it so this is how my research led here.
Pat Metheny!! have nearly all his stuff. Average White Band from my home town. Jim Mullen! Wow you have worked with and know everyone! I have stuff you made and did not know your name. Shame!
All the best from here in Scotland.
Iain (DOB 27/6/45).
Hello Richard. I happened to spot an apparent error on your bio page:
(1982) “In pop, Niles arranged the Randy Edleman album “On Time” and the Gilbert O’Sullivan album “Life & Rhymes” produced by Edleman”.
Life & Rhymes was produced by Graham Gouldman, not by Randy Edelman (correct spelling).
(And your orchestral arrangements on the album are very elegant!)
All the best, jim
You are totally right! A mistake I will rectify. Thanks for the compliment! I am not made of stone and don’t take it for granite!!!
Meanwhile, check out my YouTube channel, Radio Richard for some great interviews with great artists!
All the best’Richard. https://www.youtube.com/user/DRRICHARDNILES
About ten years ago, I helped load a keyboard into your car after your son’s talent show. You graciously agreed to offer feedback on my singing. At your studio you shared keen advice and a list of female singers to study (which I still have). There was also a talented drummer at your studio, Adam Hayes, and for a while we corresponded about our music adventures.
I just want to thank you SO MUCH for your kindness. I have grown creatively, since then. Now I work at CBS and make music independently.
I loved your blog post, from 2012, titled “Art & Perception -The Death of Culture in the 21st Century?” It struck a nerve. I’ve heard film industry veterans talk about how times have changed. I don’t know if it’s because of corporate choices, or the digital revolution, or just fragmented and impersonal times we are living through. I am hopeful for the future though.
All my best to you and your family.
Warmly,
Lydia
Hello Richard, You were a judge in the 2020 UK Songwriting Contest and I was a winner in the Blues category with my song Blue Champagne. I was also a finalist in the Pop and Adult Contemporary categories. I also was awarded numerous Semi-Finalist Awards both for lyrics and songs I co-wrote. I think I may have seen a blurb by you where my name might have been mentioned—not sure about that. I would like to know if you have any interest in co-writing with me using my lyrics. Please feel free to check out my entries in the UK 2020 contest if you like.
Your resume and bibliography are very impressive. What a great body of work you are created.
Hope to hear back from you. If would be best if you used the email that I have provided.
Thanks so much.
Richard Hamersma
Thanks but I can not do any speculative work. All the best, Richard
Those of us who who have been waiting “patiently” for the release of the Tears for Fears 5.1 mix by Steven Wilson of Sowing the Seeds of Love, now having it finally released after a 5 year wait. A brilliant recording, hence led me here with your orchestral arrangement of the song “Sowing The Seeds of Love”. Not realizing you did that arrangement, it was done up quite fantastically within this 5.1 multi-channel mix by Mr. Wilson. Brilliant work by you shines even brighter. Now I also know you worked on the Grace Jones recording too. Also a favorite.
Thank you!! A fan!
Thanks for the good words, Joe.
Check out my son’s new album. Submitted for the Grammys.
ALEX PLAYS ALEX
Alexander Niles
R
Wow, what a brilliant career – glad to have known you when you were just a struggling nerd with a dogs mouth round your leg!
Hope you are. surviving Covid – Let’s have lunch when this crazy war is over, the next. time I come to LA – if there anything left
Best Fishes
Chris