Ideas make you better
Ideas make you better
Richard Niles has produced, arranged and composed music for some of the world’s most acclaimed artists including Paul McCartney, Ray Charles, Cher, James Brown, Kylie Minogue, Tina Turner, Mariah Carey, Joe Cocker, Lulu, The Troggs, Deniece Williams, Michael McDonald, Dusty Springfield, Pet Shop Boys, Cat Stevens, Grace Jones, Tears For Fears, Swing Out Sister, Boyzone, Westlife, Michael Ball and Take That.
Richard Niles was born (1951) into a creative Hollywood family. His father Tony Romano was a singer, songwriter, arranger and guitarist who worked with Cole Porter, Frank Sinatra, Bob Hope, Bing Crosby, and Tony Bennett. “tonyromano.info” His mother Pat Silver-Lasky is an actress, author, teacher and screenwriter for film and television. (Her book Screenwriting for the 21st Century is considered a definitive text.) http://www.patsilver-lasky.com/ His stepfather Jesse Lasky Jr. was an author, poet, playwright and screenwriter of over 60 films including The Ten Commandments and Samson and Delilah. This background gave Niles invaluable training in music and language.
The picture shows (l-r) Mike Stern, Jay Azzolina, Mitch Coodley and Pat Metheny performing Niles’ EMPATHY QUARTET for four guitars at the Berklee graduation concert 1975. The piece was commissioned by Metheny, and the word “empathy” is an anagram of ‘Pat Metheny’ (Almost! The letter ‘N’ is missing, but there is an ‘N’ in the name ‘Niles’.)
In 1980 Niles produced and co-wrote “Space Invaders” for Arlene Phillips’ Hot Gossip which became a cult hit among players of the early video game of the same name, and lovers of the rather naughty dance group.
Niles co-wrote “Sunset on Sunset” with producer Dave Courtney recorded by Tina Turner for her Love Explosion album (1978).
Niles had worked with songwriter/producer Steve Coe previously for a project called Monsoon, a combination of Indian music with pop. Now Coe had a new project, EXILED, and he asked Niles to arrange the song “Miles Away” sung by one of Niles’ favorite pop singers, Colin Blunstone (from the Zombies). Niles arranged the beautiful song for the multi-tracked guitars of Laurence Juber, later to join Paul McCartney’s Wings.
Niles also produced Jim Mullen‘s solo album “Thumbs Up” and would go on to produce many more albums for the Scottish guitar genius including “Burns” and “Animation”.
Niles began his association with producer Trevor Horn arranging the song “Date Stamp” for the ABC album “Lexicon of Love”. Niles then arranged Why Does it Have To Be This Way?” for Horn’s production of Anne Pigalle. Horn then asked Niles to arrange the Horn/Lipson production “Slave To The Rhythm” for Grace Jones.
For this groundbreaking album, Niles assembled an 85-piece orchestra and a full jazz big band, dubbed “The Strictly Unreasonable Big Beat Colossus”. This later became Niles’ own large jazz ensemble, a monster of a band named Bandzilla.
Niles was asked by SOS to write and perform a rap for an extended mix of “Twilight World”. Niles arranged albums for Roger Daltrey (“Can’t Wait To See The Movie”) and Sheena Easton (“Madness Money and Music”).
In 1988 Niles arranged the hit single “Spy In The House of Love” for the unusually hip band, Was Not Was. The ‘selfie’ below shows Don Was and Niles after an interview.


Niles then produced and arranged a number of tracks for an as yet unreleased McCartney album “Cold Cuts”. One song, “Blue Sway” was released on “McCartney II” in 2011.
In 1990 Niles released the band’s first album Blue Movies playing Niles compositions and new versions of “Breakout” and “Slave To The Rhythm”. Singers Clive Griffin and Tessa Niles were featured on the album along with the cream of London’s young session musicians such as Guy Barker and Peter John Vetesse. The expensive band performed two sellout gigs at London’s Jazz Café with guest singers Pat Kane and Richard Darbyshire (from the band Living In A Box). Niles conducted with a selection of root vegetables, especially leeks. Bandzilla would rise again in 2016! (see below)
Niles went on to produce a further two albums Silje (1991) [featuring a “Where You Are”, duet with Morten Harkett (of AHA) and Cow On the Highway (1992). All three albums were released by Lifetime Records co-owned by Niles and partner Graeme Perkins.
The recording was used as the overture to their world tour featuring 20 dancers staged by David Alden. Instead of using these phenomenal dancers, PSB staged the “Overture” with a single spotlight shining on a red couch. As Neil Tennant explained to a confused Niles, “When the piece begins, the noisy audience quiets down when the see the spotlight because they are expecting something to happen. By the end of the piece, something HAS happened: they’ve listened to your fantastic Overture!” 

Niles performed the song with PSB at the Brit Awards conducting 300 Welsh miners showing off their shiny helmets. He also performed it at the 1993 Equality Show at the London Palladium conducting the London Gay Men’s Choir. Oddly enough, no helmets were in evidence at this performance.
In 1994 he arranged Wet Wet Wet’s album Hold Back The River. 

Niles later conducted concerts for Charles accompanied by Bandzilla in Paris (The Louvre), Holland, London (Earls Court) and Glasgow (Clyde Auditorium).


In 1999 Niles produced tracks for Gary Husband‘s album From the Heart.That year he also arranged the hit singles “I Love The Way You Love Me”, “You Needed Me” and “When The Going Gets Tough” for Boyzone. Niles later arranged “Bright Eyes” for singer Stephen Gately and performed as his guitarist and musical director on the Chris Evans TV show TFI Friday. 


In 2001 Niles re-mastered and released an album close to his heart, Never Before, Never Again, available from Just A Memory records. This album had been recorded in 1954 by Niles’s father Tony Romano with the great jazz violinist Joe Venuti. He later edited and released a book of transcriptions of Venuti’s solos available from Mel Bay, “Never Before, Never Again”. 


For Westlife‘s 2006 Tour Niles wrote a big band version of their hit single “Uptown Girl” – a record he had arranged for their Children in Need release.
In 2007 he arranged and conducted for the superb Scottish pianist & composer David Newton‘s album Portrait of a Lady. This unique album may best be described as “ravishingly gorgeous” and also features Jim Mullen.
The Richard Niles Quintet featured drummer Gary Husband, bassist Janek Gwizdala, British sax star Snake Davis and Niles on guitar. Guest soloists on this unique album include Billy Cobham, Bob James, John Patitucci, Bob Mintzer and Gregoire Maret. The album was released 2009.
with Bob James
with Billy Cobham
Niles produced and co-wrote the album True To You (available through CD Baby, and the artist’s website www.youneeversal.com. They later toured in Britain and performed in Los Angeles. The single “Home To You” was released to US radio September 2008 and reached the Top 20 of the Indie charts. Niles & Younee won the 2009 Music Aid Award for Best Songwriter.
Niles arranged all the music, co-wrote songs with Buckley and formed a 7-piece band to accompany her.

His book “Polymetrics” with Gary O’Toole is published by Jazzwise in 2013.



Hi Richard. Am blown away after reading your biog and listening to clips of your diverse and multi styled wealth of musical talent. I can only dream of approaching a small part of your talent. Any musical styles you haven’t tried. I somehow doubt it lol. Approached Stuart Ep’s a few years ago about arranging a song I’d written for a musical I’m attempting to compose about Alzheimers and Memories. Looking through your biog you’re definitely up there with the style of arrangements and production that we’re looking for in our project. Probably outside our price range though lol. Your artist collaboration reads like a biblical wish list to me having had thoughts of a fair few artists that I have very fond memories of their work like TFF, Macca, Denny, Kylie, Take That and many more. I also love the Moody Blues and recently got Days of future passed live dvd. Love the original Orchestra arrangements by Peter Knight and this subsequent refashioned by Elliot Davis. Can hear a lot of influences in style in your orchestral work 🙂 Anyway I just want to say how much I appreciate your part in making the soundtrack to my life 🙂 Kindest regards Colin. CJ.
Sorry for the late reply, but thanks for the positive comment!
R
Hi Richard,
I am Karen from Reed Exhibition and would like to speak to you about this event.
Also if you have an initial interest please let me know.
+442034295026
Sorry for the late reply.
If your event is still happening, do send me information.
Thanks
Richard
Hello, Dr Niles,
I recently purchased Dreaming To Gigging and want to thank you for such an excellent resource! Also, I have a question: are audio examples of the exercises available either online or by CD? Thank you! -Alan
Sorry, no audio examples, but thanks for buying the book.
The best way to hear them is to play them!
Thanks
Richard
I wonder if you would offer an opinion on something. When copyrighting a piece (piano piece), do you think any particular file format is preferable to submit?
Thanks for all your great work!
I found an old minidisc the other day that had been sitting in a drawer for years. On the disc was a Radio 2 show I recorded years ago in , probably, 2003 called, I think new jazz standards, or some such thing. I had not played the disc before..Really enjoyed listening to the show in which you featured an interview w/ The Yellowjackets. Are you still doing any radio, I wonder?
I’m not doing radio, but I am making music. Nov 1, 2016 we are releasing BANDZILLA RISES!!! a big band fusion extravaganza. Check it out at http://www.bandzilla.net
It was a great radio show but the BBC took me off the air despite the thousands of fans who complained! Oh well…
Thanks, Richard
In 1978-79 you lived in the flat below me and my family in Richmond. Little did I realize the heights to which your career might go when one night our babysitter called the police because someone had slipped a package addressed to you through our mail slot. People worried about letter bombs in those days. To us you were just the quiet neighbor downstairs who, when he moved out, gave my two daughters a large wooden mug filled with several pounds worth of coins you had not wanted to carry around. I expect that kind of generosity has served you well in what has clearly been a brilliant career.
I went to see Yusuf at the Hammersmith Apollo, fantastic, the musicians he has with him are brilliant, hope you get to see him at the end of this tour in LA (I think)
Rich
I was such a fan of morrisey mullen in myyouth in london and am desperate to get hold of live on the wire, its about time cds and any other because I loved all of their music so much and my casettes dont work anymore and im gutted! Please help
Thanks Christine, unfortunately the record company MM were signed to went bust and they don’t seem to have handled the distribution of their product in a business-like manner. You can get these records here: http://www.amazon.co.uk/Music-MORRISSEY-MULLEN/s?ie=UTF8&page=1&rh=n%3A229816%2Cp_32%3AMORRISSEY%20MULLEN
But it’s really a tragedy because the band was unique and Jim Mullen is still one of the greatest jazz guitarists of all time. Please support him by buying his records and attending his gigs! Richard
A retired biologist with musical composition and performance as my retirement hobby. Been playing a sax for only five years!
Well, keep playing in a biologically friendly way!
Hello Richard: I am a Berklee parent and just read your “Attitude or Altitude.” I have sent it to everyone I know with the remotest connection to music. Well written – interplay is complete – now go make some fresh coffee!